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Larry Norman
Larry Norman

Christian Rock Music

Christian rock is a form of rock music played by bands where the musicians are openly Christian. The extent to which their lyrics are explicitly Christian varies between bands.

In the 1970s, Larry Norman was a popular Christian rock musician who challenged a view held by some conservative Christians (predominantly fundamentalists) that rock music was anti-Christian. One of his songs, "Why Should the Devil Have All the Good Music?", summarized his attitude and his quest to pioneer

Christian rock bands that explicitly state their beliefs, like Servant and Petra, and use Christian imagery in their lyrics tend to be considered a part of the contemporary Christian music (CCM) industry and play for a predominantly Christian market. Other bands perform music influenced by their faith but see their audience as the general public. They may generally avoid specific mention of God or Jesus. Such bands are sometimes rejected by the CCM rock scene and may specifically reject the CCM label. Possibly the very first documented appearance of a Christian Rock band is Mind Garage in 1967, whose Electric Liturgy, finally recorded on RCA in 1970, gives them credibility as a cornerstone in the creation of the Christian Rock genre. Some bands such as U2, Lifehouse, Creed, King's X, Thrice, Evanescence, Mute Math, Coldplay, and Blessid Union of Souls switchfoot do not claim to be "Christian bands", but include members who openly profess to be Christians and feature Christian thought, imagery, scripture or other influences in their music. There is a tendency among some Christian rock music fans to label rock music bands as Christian where their lyrics are seen as consistent with the fans' understanding of Christian belief, but this is generally not accepted by the contemporary Christian music industry. Related subgenres are Christian alternative rock, Christian metal, Christian industrial, Christian punk, and

Some critics of Christian rock complain that Christian music trends are clichéd derivative of rock music and pop music in that they copy these styles and trends without creating original sounds of their own. The critics' stereotype of Christian rock is a censored or plagiarised version of whatever is popular on the radio. Others respond that all music is in some way derived from previous works, as the concepts inspired by work, and not the work itself is within the public domain. Another common response is that

Christian music is the only major genre to be grouped by its content rather than its style- for example, on the online music store iTunes, Christian performers as diverse as worship artists like Steven Curtis Chapman, hip-hop groups such as Grits, pop-rockers such as Superchick and hardcore groups such as Project 86 are all grouped under the 'Inspirational' section of the store, despite the diversity of their sounds.

Another critique of Christian Rock is that some critics also feel that in reaching out to the main stream listeners, Christian Rock waters down the Christian message and content into amorphous love songs. Amy Grant, for example, received criticism for her song, "Baby Baby" because it was not clear whether she was singing to God or to a good looking man in the music video. Richard Rossi was criticized for performing his gospel rock in bars and secular nightclubs. Steve Camp, Christian music critic, complains that Christian music has become "yodels of a Christ-less, watered-down, pabulum based, positive alternative, aura-fluff, cream of wheat, mush-kind-of-syrupy, God-as-my-girlfriend kind of thing." Others respond that expressions of unconditional love reminiscent of romantic love are consistent with God's agape love and the tradition of the biblical book, Song of Solomon.

Some critics feel bands market themselves to the Christian audience because the market is easier to enter. The competition in the Christian market is not as fierce, so they can gain huge success quickly. Some bands are accused of using the CCM industry to springboard into the "mainstream" as they prove to the record labels they can sell albums. Often times these accused bands will quickly reject the Christian label they once embraced, causing controversy.

Many Christian bands have an explicitly evangelistic goal - they hope to use their music to attract new converts to their faith. Some musicians try to draw in non-Christian listeners by writing songs with an under-the-surface Christian message. These bands include Switchfoot, Kevin Max, and Relient K.

However, the aims for making Christian music vary among different artists. Other Christian artists such as Chris Tomlin and Not Afraid sing more explicit worship songs, incorporating lyrics that directly worship God. Many of these songs are played at more contemporary churches and used to lead congregations in worship. These artists receive less criticism, however they also receive less praise from non-Christian listeners.

There are many Christian rock festivals held worldwide every year, including the Cornerstone Festival, Sonshine Festival, Ichthus, Spirit West Coast, Purple Door, Parachute, Shout Fest, Christmas Rock Night in Ennepetal, Germany, Lifest, and TomFest. They range from single day events to four day festivals that provide camping and other activities. Christian rock can also be heard at other Christian festivals that are not exclusive to rock, such as the Creation Festival and YC Newfoundland and YC Alberta. Many events are held in Australia called Encounterfest, Jam United and EXOday. There are also many in the UK, including 'Ultimate Events' at Alton Towers, 'Frenzy' and Creation Fest, Woolacombe, Devon



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